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Fundamental things Some questioning of the situation of vineyard care in the Cape, from Kobus van Ierop
The season has turned, the leaves are changing colour and it’s time to do some soul searching about your successes and failures and your future as a vineyard manager.... Three issues come to my mind immediately.
Firstly: ‘Wine is made in the vineyard.’ What a joke. We hear this cliché at every occasion someone can prostitute this concept to their own advantage. Our vineyards in South Africa leave much to be desired. Go round from end December to post harvest and look at the sorry state of it. Maybe ten percent of our vineyards can compete with the best vineyards elsewhere. I’ll sketch you a scene: We arrive at a vineyard supposed to be producing wine at approx R150 per bottle that same season. End of December, yellow leaves due to NO irrigation (lines installed and water in the dam), no suckering done, only some of the foilage wires lifted, bankrotkweek [an unhelpful grass....] all over and a heavy cropload. Think this is an exception? Don’t kid yourself. Why? Our winemakers all say that wine is made in the vineyard, but do you see any of them around between the vines before February? No, they are busy doing marketing or tastings. I meet so many excellent vineyard managers in South Africa, people that know what to do but do not get the opportunity. Why? Build a lovely cellar, build an impressive entrance, get a clever young winemaker, reward him (usually him) handsomely – and that’s enough: ‘die saak is reg’. Vineyard managers get paid a pittance and sometimes treated like the orphans in the team. Pay peanuts and get monkeys – or monkey’s work. 2. Where are the journals? We have several wine magazines in South Africa but how many viticultural magazines? None. Go to the US or Australia or France and indulge yourself in their wonderful magazines covering all viticultural issues you can imagine. Want to learn about … the effect of mulching on quality of wine? Go to any of the Australian, French or American websites and enjoy yourself. Pity their research is not always applicable here. Want to find the same answers in South Africa? Pay a consultant a decent amount of money and you just might find your answers. 3. Race and sex ... We will never, ever be able to compete internationally if the single most important component of our wine – the grapes and vineyards – is not planned, farmed, researched and approached with respect.
We have to move forward and out of the Ice Age.
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COMMENTS From Roland Peens:
Response from Kobus v I:
From Cassuis: As for vineyard managers not getting any spotlight, can’t agree more with you. Only one issue arrises here, how do you plan to showcase one viticulturist against another if the wine you’re drinking could be made of grapes from 5 different sites with 5 different viticulturist? Going on what they look like doesn't mean Jack either – that theory of the perfectly combed vineyard giving the best results have been blown out the water one too many times as well. Again, we need more producers who focus on making wines expressing a sense of place and working with the same grapes on a regular basis for years on end. No girls in the industry: it’s a pity, as the ones that are in the mix are tough and tenacious and do one heck of a job, we definitely need more ladies of the vine and wine. Let’s face facts – men aren't the only ones drinking vino!! especially in our brandy-driven country! Kudos to those who dare to scratch where it never itched: that’s the only way to change the status!
And a point from Tim James:
From a winemaker(ess): To which Roland Peens responds:
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From Mark: From Angela Lloyd: To Cassuis: I think Cassuis misses the point when he/she contends the deregistration of many properties as Estates has affected the possibility of making `something memorable' because being an Estate `surely forces you to be more attentive to your vineyards, seeing that they’re the only ones you got!!' Having got out of the way that Estates per se no longer exist, there is now only Estate wine, the production of `memorable' wine (presumably a wine showing consistent quality and a sense of somewhereness) has everything to do with the proper matching of vine to site regardless of whether that vineyard is a unit registered for the production of Estate wine or not. How many of those units have every vine they grow perfectly matched to site? And surely Neil Ellis has long proved that it's better to have a sound, long-term agreement (even a partnership) with a grower in an area where there are all the most favourable conditions for the variety and style of wine Neil wants to produce? Good relationships and understanding between grower and producer are just as important as between producer and retailer/winelover - I think it's a lesson still to be fully appreciated in our industry. Where I very much agree with Cassuis is that we need more attention paid to making wines with a sense of place and viticulturists/winemakers `working with the same grapes on a regular basis for years on end. I don't know how long a winemaker who is not a member of a family owned winery stays at one property on average, but winemakers always seem to be on the move and few stay around long enough to get to grips with knowing the vineyards and the wine they naturally produce. Then again, is the vine material available in this country of sufficient quality to allow for the sort of vine maturity that is able to produce site reflective wines that can mature rather than merely age? To the winemaker(ess): Please don't be xenophobic. Apart from Phil and Zelma having invested in SA, we should welcome the opinions of people who have experience different from our own. Winemakers from all over the world come to work the harvest in the Cape so they can learn from us; likewise, South African winemakers work harvests in other wine producing countries to learn from them. Why not viticulturists? Such interaction doesn't deny the worth of our own experts but the exchange of ideas with outsiders can often open locals' eyes to improvements they might never otherwise have considered.
To which Cassuis replies: Buying grapes willy-nilly from whoever is selling at the best price is a sure way to make bland and boring wines that make the international community ask the old question: 'What is a South African wine?' Diversity is our strength, making wines of any and all description – but somewhere a common thread has to run through each producer's wine, hence Estate or, like Neil. 'lifelong' contracts with growers.
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