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Bretty Ernie 8 January 2007 A lowlight of the festive season (which we temper with a few highlights too)
Response from Angela Lloyd: I think you should remember too that wine tasters have different sensory thresholds; maybe you can recognise it at even low levels. With regard to mention Brett per se in Platter – without having a wine analysed it might be problematical pinning the label a wine that might be proved to be clean. Often if a Platter taster suspects its presence there might be reference to such qualities as Band Ad, truffles, mshrooms and the like (it should be obvious in the context that these are negative terms). I do hope other wines Clive uncorked or even unscrewed over the festive season were less troublesome. Apart from an Alain Graillot Crozes Hermitage 1995, which was utterly memorable, I opened a few local wines that provided some pleasant surprises. A 2004 Oak Valley Sauvignon Blanc was still deliciously fresh and lively, proving yet again that sauvignon isn't a one-year wine. Kanonkop Paul Sauer 1991 was also a pleasure though is unlikely to get any better. For some reason we have a number of old bottles of Cap Classique that got lost in the cellar. With not much optimism I opened a 1992 Simonsig Kaapse Vonkel; it had a gloriously bright yellow gold colour, the bubble was still there, even if very languid and somewhat diminished, but the wine had a lovely creaminess and, though not complex, had good depth and length. All the more satisfying because it out-performed my expectations.
From Tim
James: I personally am not implacably opposed to brett under all circumstances, but have been at a blind tasting attended by a number of senior members of the Brett Police, when a provenly Bretty bottling of Ernie aroused no adverse comment at all. Either threshholds of awareness are not always consistent or – more likely – there is some bottle variation with regard to Brett populations. Maybe Clive has been very unlucky. As to Platter tasting: I think it fair to say that Brett is less obvious when the wine is very young, and we tend to sample wines for Platter before they're even released (a lame excuse?). On the pleasanter subject of festive drinking, my own most interesting SA wine was probably the 1975 Nederburg Edelkeur, which was dark tawny in colour, and very delicious (though it came at the end of a long and splendidly vinous dinner at Aubergine, so my critical faculties were admittedly rather blurred). The best local reds I had over the period were both old favourites, from 1998: Cordoba Crescendo and Paul Sauer. Best white was a lovely Sadie Family Palladius 2003. Fortunately nothing nasty or disappointing at all….
It would be good to hear about other people’s drinking highlights and lowlights over the holiday season, if they’d care to share them with us. Clive: I hope you had some good drinking too....
From
Clive Sindelman:
Some good older white wine experiences
From retailer and MW student Roland Peens
(congratulations on your bursary, Roland):
From Melvyn Minnaar:
And a bit more on storage
From Angela Lloyd: To finish, a muscadel
From
Poor Tom!: |
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On the second topic - storage temp: would it be fair to
assume that a lower temp (e.g., a constant 10 degrees) enables slower
maturity than a higher one? If so, then similar vintages maturing at
different rates may not only be at the optimum levels of enjoyment at
different times (measured in years I
Response from Tim James: If this is true, a sensitive, experienced palate should be able to distinguish between the two wines in your example, and the wine that's matured at a slower rate should be 'better' than the 18º example. But, of course, peak maturity is not one easily definable point, but a process (rather like maturity of fruit) and different people will not always agree on what perfect maturity is for a wine (or a grape). Even more of a but, and a very relevant one: most people who have stored a case of wine for a length of time are only too well aware that there is often a big difference in condition (maturity, if you like) between bottles identically stored. At least, this is a question of the seal of the bottle – quality of cork, how it fits the bottle; but perhaps also of other things like tiny differences in the amount of oxygen that was sealed in the bottle, etc. Another great question of course would be how your two wines would compare to the identical wines sealed with screwcaps rather than cork and kept in identical conditions.... As the debates over screwcaps and corks have shown only too clearly, the chemistry of wine-ageing is not perfectly understood – but the debates have certainly led to a much greater understanding of it. I haven't noticed, though, anyone challenging the conventional wisdom about storage conditions as a result, at least as far a temperature goes. Screwcaps or glass stoppers would presumably have, at least, the advantage that correct humidity would be less important, and that the bottles could be stored upright. Ands probably there'd be more uniformity across a case of wine. Whether the quality of the maturation process would be as good as with cork is the big question. But perhaps we don't need to go there now... |