Swartland – land of promise
17 May 2007
Jancis Robinson looks at some wines from
one of the Cape's most interesting regions
This
article is reproduced, with permission, from the restricted access
section of www.jancisrobinson.com
One
of my great sadnesses in being struck down by a fluey-cold just before
setting off for South Africa last week (see my lone
blog) was that it meant I had to
miss my day scouting round Swartland, the diverse but extremely
interesting emergent wine region north of Stellenbosch and Paarl, the
traditional heart of Cape winelands. Swartland is rolling farming
country with soils that vary from granite to shale and clay-loams. It
was for long ignored by quality-conscious wine producers but has since
the late 1990s emerged as a source of particularly interesting fruit,
thanks to Charles Back of Fairview and subsequently Eben Sadie,
once winemaker at the pioneering Spice Route winery, which was
established under joint auspices in Malmesbury but subsequently taken
over by Back alone. Dry-farmed Rhône and Languedoc vine varieties are
the norm in this warm, Mediterranean climate cooled to a certain extent
by influence from the Atlantic ocean to the west.
There’s a wide variety of quality and style of fruit
available here with much of it still disappearing into the local co-ops.
(The Swartland co-op itself is likely to be the source of a new
range of South African wine made by Gallo of California but don’t expect
to find the S-word anywhere on the label.) Gradually, however, more and
more Swartland fruit is to be found in bottles carrying mainstream,
highly respected labels. Much of the Syrah for Boekenhoutskloof’s
soaraway Porcupine Ridge label, for example, comes from the
lower-altitude flatlands of Swartland, where the corn is as high as both
an elephant’s eye and the roaring pH level (see previous
wine of the week).
This is potassium-rich terrain for easy, early-drinking red wine from
relatively young vines.
But in various parts of the region, notably around
granite Perdeberg (also known by its older, Dutch name Paardeberg) and
other mountains such as Riebeeck, the fruit tends to be much more
serious, concentrated and built for the long term. Below are notes on
some of the more notable reds and whites. I didn’t understand why in my
tasting the whites tended to be even more impressive than the reds –
until Chris Mullineux of Tulbagh Mountain Vineyards, who buy in
substantial amounts of grapes from Swartland for their TMV range,
explained to me that Syrah vines tend to be so much younger (typically 8
to 10 years) than the interesting old white wine vines, largely Chenin
Blanc, Grenache Blanc and Clairette, with some more recently planted
Viognier and Chardonnay. In terms of build, these seriously exciting
white wines are not totally unlike those of the upper Agly valley (Le
Soula and the like), which is a strange coincidence since
there are particularly close links between many of these winemakers and
those of Swartland. Tom Lubbe of The Observatory, for example, is
now based in Roussillon (and married into the Gauby family, no less),
with his sister Catherine in charge of the Swartland operation. The
Sadie and TMV wines are imported into the UK by Richards Walford, also
importers of Gauby of the upper Agly valley and co-progenitors of Soula.
One of Boekenhoutskloof’s dogs is called Gauby. I could go on. (See
below)
Scali’s wines carry the origin
Voor Paardeberg because they come from the ward of that name in the
northernmost part of the Paarl district where it abuts Swartland’s
Perdeberg mountain. I have included the TMV wines, made by
Tulbagh Mountain Vineyards from bought in fruit, and the Porcupine notes
because the blends contain substantial proportions of Swartland fruit
even though these proportions are less than 100% and so the wines are
not due the Swartland origin.
The most obvious omission from the notes below are wines
from Lammershoek, who sell fruit, especially white wine grapes,
to some of the producers listed below but who also produce their own
wines, Spice Route’s current offerings and the (screwcapped) wines of
Black Rock (nothing to do with the Central Otago one).
WHITES
Sequillo
White 2006 Swartland 17.5 Drink 2007-11
Another label made by Eben Sadie. Notably deep gold for such a young
wine. Tangy nose with honeysuckle and tangerine skin flavours. Not heavy
on the palate despite the alcohol, and full of interest already.
Surprisingly open, very suave. Very neat, confident finish with marked
acidity – indeed it may even be very slightly too marked? But a one-off
style. Much more sophisticated in structure than the average southern
French white blend. A little more raw than Palladius but not necessarily
worse – more obvious acidity and chew.
11 demi muids, 14.5%
TMV
White 2006 Coastal Region 17.5 Drink 2007-10
The range from the Tulbagh Mountain Vineyard team made from bought-in
fruit. This has the most delightful honeyed texture with honeysuckle
flavours again and really quite notable freshness and acidity – more so
that the 2005 noted
here.
Jewel texture, great raciness and a hint of honey. Funny – all the
tasting notes add up to Chenin Blanc but I originally wrote down
Grenache Blanc and wondered how they managed to conjure something this
light-footed from that usually heavy grape variety.
90% Swartland Chenin Blanc, 5% Tulbagh
Clairette, 5% Viognier. Fermented in old barrels. 13%
The
Observatory White, Chenin Blanc/Chardonnay 2005 Swartland
15?? Drink 2008-09
Lubbe wine. Pale honey colour. Broad nose with a certain saltiness and
lightness. Seems a little sour and astringent, not knit together.
Perhaps needs time to aerate? I’ll try it again later. Later – very
pronounced acidity and really aggressive astringency. This may have
been a particularly disappointing bottle as my colleagues who tasted it
several days previously were apparently impressed by it.
12.5%
Scali
Blanc 2005 Voor Paardeberg 18 Drink 2007-10
The super-focused de Waals. Quite deep honeyed gold colour. Very
distinctive nose – lime blossom and hint of oak but deeply mineral fruit
and really rich, round texture. Tastes like burnished gold – definitely
like a shiny mineral of some sort. Good lift and life on the finish.
Really quite delicate on the finish. A very beautifully constructed
wine. Really interesting! Rich and rewarding but with enough
(interesting) green notes to keep it refreshing.
5 barrels, 14.5%.
The
Sadie Family, Palladius 2005 Swartland 18
Drink 2007-11/2
Swartland’s champion. Very arresting nose which cut through my
congestion with no trouble. Mid golden honey. Layers of flowers and
herbs – very wild, that array of Nature that’s familiar from biodynamic
viticulture. On the palate very smooth and ambitious. Beautiful texture,
lots of care lavished on this, unctuous. A salon smoothie compared with
the Sequillo white though I wonder whether it will last any longer?
Sweet and luscious and satiny with no single varietal component
dominating the blend – and just a hint of that intriguing tangerine
flavour on the very finish, plus a hint of coffee too, extraordinarily.
Very well done!
14.5%
REDS
Porcupine
Ridge Syrah 2006 Coastal Region 16.5 Drink
2007-08
Bit of a cheat to include this wine here as only part of it comes from
Malmesbury in southern Swartland and the rest from Wellington, where
Boekenhoutskloof's truly excellent Syrah comes from. Very deep colour,
very polished, slightly tarry. Great texture for a 40,000 case wine that
starts sweet and finishes both dry and salty. Fantastic value. If only
South Africa made more wine at this sort of price. It’s a bonus that it
tastes as though it costs at least 50% more.
£6.99 Waitrose and the Wine Society.
TMV
Swartland Syrah 2006 Swartland 17+ Drink
2010-15
(The 2005 noted
here
is sold out.) Youthful, tense, inky fruit. Bone dry. Quite light,
delicate and dancing - obviously made with a very light hand. Still
embryonic.
The
Observatory Syrah-Pinotage 2005 Swartland 16.5
Drink 2009-12
Felicitous recipe in which the Syrah adds lift and suavity to the
Pinotage. A bit awkwardly acid on the finish, perhaps just a slight lack
of follow through. Hard work on the very end. Just goes slightly to a
grinding - metallic? – halt. Not as mellifluous as some others.
About 60% Syrah, 35% Pinotage, 5% Cabernet
and Carignan.
Fairview,
Caldera 2005 Swartland 17 Drink 2008-12
Made by king of the goats, Charles Back. Much the deepest colour of all
these reds. Very meaty nose and much closer to the modern ideal of a red
wine than the Sadie-influenced reds. Some obvious oak! Quite tight
fruit-forward wine with chewy tannins on the finish. A bit of rusty nail
character on the very finish but very user friendly. Less obviously
worked than the Sadie wines. The fruit is doing the talking. Not
intellectual but lots to get your teeth into. Called Caldera,
reminiscent of the volcano-hollowed topography of Santorini, for the
calderata Catalan cooking pot.
61 year-old Grenache “South Africa’s oldest”
(50%), Mourvèdre (27%), Syrah (23%). 14% alcohol
TMV
Swartland Syrah 2004 Swartland 16.5 Drink
2009-12
Relatively pale. Still quite dumb on the nose with some rusty nail chew
on the finish and a lack of great fruit intensity on the mid palate
though not overdone.
Sequillo
2004 Swartland 17 Drink 2009-14
Reasonably transparent, bright crimson. Sweet, broad nose with real
transparence of aroma too. One can read this as opposed to being
bludgeoned by it. A certain smokiness (terroir effect?) and liveliness.
Dances. Pretty clever winemaking even if a little rigid inkiness on the
finish at the moment. Will the fruit hold while the tannins soften, I
wonder?
30 demi muids 14.5% info@sequillo.com
Scali
Pinotage 2004 Voor Paardeberg 16 Drink 2009-12
Bright crimson. A bit smudgy and stinky on the nose. Mouthfilling –
great sweetness and resilience on the palate but the uninitiated would
get a shock. “What’s with the paint stripper?” they might ask. Comes to
a grinding halt on the back palate. Very good for a Pinotage – which
sounds more damning than it’s meant to be. Still pretty youthful.
11 barrels total, 14.5%
The
Sadie Family, Columella 2004 Swartland 17.5
Drink 2010-16
Deep crimson, very healthy colour. A real cocktail of flavours on the
nose. Very gentle palate entry. I would choose to serve this pretty
cool. A sort of cross at the moment between gentle user-friendly
winemaking resulting in super-smooth palate entry and intense ambition
and tannins for the long term. Leave for now – knowing it will reward
you with a really intense web of complex flavours eventually. No heat.
Just very slightly scrawny on the finish but the overall effect on the
palate is one of butterfly wings.
14.5%