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The Widow's sour grapes

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Media inadequacies and wine show squabbles

 

Angry journalists
My dear husband used to say that only hacks imagine that proper people are as intrigued as they are by the goings on of the media. Probably he was right in this, so I will excuse you if you leave a this point to go and find something interesting and good-natured, like dear Cathy’s blog. (II’m sure I’d also be interesting and good-natured if I was always swanning about Italy or California.)

First, I have to confess that to a severe come-uppance because of what seemed to me some gentle teasing about the obsession with motor cars in WineLand and the new Afrikaans mag from the same stable, Fynproe. Or perhaps it was my whingeing about the advertorials. Apparently, anyway, it was somehow all further evidence of a deep-seated anti-Afrikaans sentiment. So our esteemed editor has been struck off their Christmas card list! More significantly, off the long list of those who receive the mags as freebies.

We’d always thought we were doing the publishers a favour by accepting the free mags and allowing them to claim a big printrun and a deeper penetration of Important People in the Wine Industry, thus helping their advertising revenue. And in fact, to make the new exclusion even more hurtful, I believe that some 90 percent of Fynproe’s printrun (of about 13 000) is bring given out for free at this stage (so if, unlike our ed, you are receiving it gratis and you like it, you probably don’t need to bother subscribing for a good six months yet….).

 

Convinced journalists
I do so admire journalists who write what they believe, even if it means they risk people accusing them of nasty things like conflicts of interest. Nice young Jean-Pierre Rossouw (well, recently young) clearly had it burning within him to mention in a recent Insig article his opinion that Beaumont’s pinotage is one of the best in the country. Someone with less passionate convictions might have felt modest restraint about publishing the claim, given that he’s recently married into the Beaumont family. But not our – or their – J-P. Actually, apart from the family connections, like so many of our writers J-P has also manfully taken on the duties of acting as PR for one or two producers: I wait anxiously for his first mention of a Paul Cluver wine: will he grit his teeth again and force himself to say something nice? [see comment at end]

 

Ambiguous journalists
Another person who unembarrassedly combines winewriting with PR is Emile Joubert, who also sends out his usually funny GaljoenGat News (try emailing him to get on his emailing list). But a recent one had some of us quite confused. At first glance it appeared to be trying to embarrass the editor of the Platter Guide by expressing shock at rumours (of course he knew them to be true) that the eminent Neil Pendock had been sacked as a taster for the Guide. It did quite a bit of what appeared to be fawning adulation of Neil. But all that was perhaps a superficial reading – as others pointed out, it probably did Neil’s image more harm than good. Firstly by telling everyone that he’d been given the push (so soon after being dismissed from the Trophy Wine Show judging panel); secondly, by seeming to suggest that Neil’s place on the Platter team should be ensured not through any relevant abilities, but because of the perceived influence of his little column in one of the Sunday Crimes supplements.

 

The judging business
Talking of the Trophy Wine Show (and I must do so carefully, given the disproportionate presence of Grape personnel amongst the judges), there’s a bit of wry irritation in the halls of Thelema, I rather gather. Gyles Webb (who’s been a judge on the Show himself, so knows the risks) has hitherto avoided entering his wines into competitions. Now, however, there’s a representative of a younger generation at Thelema, whose ghastly Australian education in marketing has endeared such things as shows and competitions to him. So this year Thelema wines were entered…. Well, the Chardonnay got a bronze, but none of Thelema’s renowned reds made it even  to that not quite illustrious level. No wonder Gyles is a bit miffed (although his wines were in pretty good company). The question is: who will prevail next time the young Webb scion wants to play the competition game?

 

The Show business
Things seem to be getting a little tense, to say the least, between the organisers of the WineX show and those who’re trying to muscle in on this lucrative business (particularly lucrative if you can get someone to give you lots of money as a sponsor, of course) with the forthcoming Joburg Wine Show. You might have seen the correspondence on this website about the new Show’s intention of catering to on-site wine purchases. Illegal! suggested WineX supremo Michael Fridjhon pretty clearly. Not so, insisted Joburg Wine Show organisers. The latest PR email from the WineX team, however, tells us of a new ‘retail opportunity for exhibitors‘. This is, it portentously claims, ‘the first (and at this stage only) legally compliant arrangement permitting the off-consumption sale of liquor at an on-consumption wine event’. Well! That does seem tantamount to insisting that the other lot are telling lies, doesn’t it? After all, they have already claimed that they are doing (pioneering, in fact) effectively the same thing – perfectly legally. How will this all be resolved, I wonder. Should we rush along to the different shows to see if fists fly? or court orders?

 

COMMENTS

From Jean-Pierre Rossouw:
While it is always flattering to be remembered and although I support the Widow's shrewd policing (impressively, she even reads the Afrikaans magazines); I must make the observation that, what with my matrimonial status, I clearly needed to make full disclosure for the article that the Widow refers to. If she had been thorough enough to look at the contributor's page, she would have read a blatant disclosure of my familial interest, complete with photographic evidence.

Wid's reply: Oh well, of course, that's fine then, J-P. I trust all the readers of the Insig article were were thorough. I have to confess that, like all the best police, I have a network of sordid, unreliable and underpaid spies, some of whom read Afrikaans more fluently than I. I do hope that Cassie of WineLand (although I'm sure he won't read this insulting drivel, especially not for free) doesn't take this as further evidence of my problematical attitudes.

From Emile Joubert:
In the words of Ernest Hemingway: Writers squabbling with other writers in print is like a dog licking its own arse: It may be nice for the dog, but it really is not pleasant to watch.

I googled for this pithy quote, as I don't believe in anything until Google confirms it. Couldn't find it, but I'll take your word for it. If he didn't say it, he should have, I'd agree.

 

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