Grape

Fresh as a daisy

On a visit to Italy some 21 years ago, we were buying our usual peasant lunch to enjoy in the vineyards and had chosen a bottle of Galestro to wash it down. When I told the deli owner we were going to eat alfresco, he immediately fetched a chilled bottle from the fridge. We were talking about eating outside in the fresh air, he understood we wanted a chilled (fresh) bottle of wine.

It seems appropriate that this word, with its different – though not totally unrelated meanings, should generate such diversity of opinion when it comes to the quality of freshness in wine.

I began to think about freshness a little more carefully after my colleague, Tim James, discussed this quality in red wine at the recent Aylesford Constantia Fresh festival. He started by saying that there’s ambiguity over the meaning of freshness. Declare a red wine ‘very fresh’ and this could be a euphemism for green or unripe characters, or it could mean it’s refreshing, thirst quenching.

At this event, the question of temperature wasn’t raised, but two recent experiences alerted me to its importance in relation to freshness.

Last Sunday had to be one of the hottest days this summer (until Monday came along!) with temperatures hovering in the high 30ºs. The last sort of weather to enjoy the delights of top end Northern Rhône reds from fairly recent vintages – but that was the theme Cathy van Zyl had selected for her presentation to our tasting group at our monthly get together. She had wisely put the wines in the fridge, so they were at a reasonable temperature for tasting. Initially, #1 seemed pleasantly fresh, though quite forward; as it warmed, so it became less palatable, showing definite signs of over-ripeness and chunky tannins.

We had no difficulty in guessing it was a 2003, a very hot vintage, the likes of which northern European winemakers have little experience with and which left many wines over the top in terms of ripeness and durability, but which drew praise to the extent of 96/100 from Robert Parker. The second wine was much more focussed and expressive, with black pepper and minerally vibrancy, even as it warmed up; its supple texture firmly intertwined with equally lively, fine tannins. Needless to say, we preferred this to the previous wine, though Parker didn’t, awarding 2005 a mere 89/100.

What none of us guessed was that this was different vintages of the same wine – Guigal’s Côte Rôtie. For us, the less ripe, fresher wine was by far the better.

This experience doesn’t apply only to reds. At a recent lunch for a few people who were unable to attend the awards dinner for the Santam Classic Wine Trophy, I tried a very agreeable chardonnay (the bottle was devoid of a label, which had floated off in the ice bucket, I think); it showed balance between bright citrusy fruit and lees-enriched breadth with oaking nicely harmonised. Very much the elegant, restrained style of wine the French judges’ palates are supposed to be looking for in this competition.

A bit later, someone poured another glass of chardonnay. In this I detected some residual sweetness and oak. It was a young wine, so I felt time would harmonise oak and fruit but I didn’t like it nearly as much as the previous wine.

Well, you’ve guessed – they were both the same wine but served at different temperatures, they were pretty much like chalk and cheese.

So temperature can play a role in creating an impression of freshness but the truth will out as an over-ripe wine or one with even a little residual sugar warms up.

Briefly to return to the ripeness issue which, as with most things to do with wine, is subjective.

Cathy had included in her line up two vintages of Alain Graillot’s Crozes Hermitage, the 2006 and 2007; some of us immediately recognised the younger, some the older but they were favourites with all bar one of the group. It’s a wine we know well and love for its purity of expression, its freshness and deliciousness. It also ages well. But give it to Rod Easthope, the Kiwi winemaker who worked in the Cape for several years and is now winemaker at highly regarded Hawkes Bay winery, Craggy Range, and he’ll criticise it for being green.

Whether you prefer your wine under rather than over-ripe or cooler rather than warmer, freshness can play a positive role in its enjoyment.



Re: Fresh as a daisy

Angela,

 

It is an interesting discussion, this idea of 'freshness' in reds. The one question I would ask is whether you, me, the tasting group you taste with or anyone with a serious passion for wine would be as forgiving of these 'green/fresh' characters in a South African wine? Does the name on the label and the country of origin offer a headstart and greater leeway for forgiveness when it comes to assessment of characters that are a little left of centre?

For instance, I would suggest that the slightly pitchy, 100% stem system derived flavours and characters of a young Graillot would get slaughtered by judges in a local wine show (or most wine shows for that matter). Not wanting to put words into Rod Easthope's mouth but I think this would be the concern of most New World winemakers/producers in attempting to replicate such a style; under-ripeness, or even the perception of such, gets jumped on. Anything seen as aberrant winemaking behaviour is rarely rewarded critically, and heaven knows no-one needs negative publicity given the state of play at the moment in the wine world.

But rather than go off on that tangent, back to the original question...do you think there two different playing fields when it comes to wine assessment relative to the origin of the wine?

Cheers

Re: Fresh as a daisy

Grant, Personally, I don't find Graillot's wines green. For me green or under ripe wines never evolve (as neither do over ripe wines), as neither are balanced. i've been enjoying Graillot's Crozes for many, many years - not long ago I had a 1996 which was still beautifully harmonious. So, load a wine show with people like myself, Tim James, Alex Dale and other Graillot fans and the wines would glister with gold! I should also point out at the blind red wine tasting I mention that Tim presented, we had a Graillot 2004 (also a Craggy Range Block 14 Syrah 2005), which was voted the group's favourite. I gather Rod wrote at length to Tim about freshness and its various derivatives - for me it's not only level of ripeness, acidity but tannin structure than can influence the impression of freshness .. but that's another story.

I think today the best of SA's shiraz producers are quite content to produce wines that reflect where their grapes originate rather than trying to ape an albeit very successful Rhône style. Many years ago several tried with those vivid peppery wines but they were inevitably horrible to drink - all acid very little fruit.

So back to your original question ... yes, I'm sure origin plays a role in how wines are assessed sighted. One only has to read various UK wine magazines or commentators ...

 

Angela Lloyd

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